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In conversation with Hanabi: when student art goes beyond a hobby

Come along on a tour as Hanabi guides you through some of her breathtaking pieces, as she explains her artistic process, techniques and ...

Exhibition Review: La Naissance des Beaux-Arts— du Grand Siècle à la Révolution

Written by Haomin Li There was finally an exhibition dedicated solely to French Academicist art in Shanghai after President Emmanuel...

New Fine Art Exchange: the rebellious response to the art market

Written by Emilia Sharples and Lucia Guercio Meet the founder of New Fine Art Exchange (NFAE), Iona Bielby in this cozy Q&A! We are super...

In Conversation… STAK, Glasgow Graffiti Writer

Elliot talks to the anonymous graffiti writer, STAK as he talks us through his work, his signature style and what influences his art...

A Socially Distanced Chat with the Brains Behind Covid Classics

Sam Haller (a.k.a. the Girl with a Pearl Earring) from the infamous Instagram account @covidclassics answers some questions put together...

Investing in Fauvism? Henri Matisse, Vase d’Anémones (1946): Auction Performance and Market Analysis

Sotheby’s 2019 summer Impressionist & Modern Art Evening Sale commenced shortly after seven on the evening of the nineteenth of June...

Lygia Pape and the Sensorial Art of Resistance

Lygia Pape (1929-2004) proved to be one of the most prominent Brazilian artists of the 20th century. Her work is marked by a shift from a...

Whitechapel Gallery Free Exhibition Tour

A heartfelt journey among one of London’s hidden gems of modern and contemporary art. Lucia uncovers the invisible threads curators now...

Essentialism and Art Forgery

Essentialism is ‘the belief that things have a set of characteristics which make them what they are’. It is argued that humans...

Commentary and visual analysis of Philip Hacker's 'View of Castellammare di Stabia', 1782

Sara introduces a painting she noticed during a school-trip at the Caserta Royal Palace. She describes it with oneiric tones, inviting the..

Art Pot Magazine: to view, to feel, to be art.

This is the first of hopefully very many posts for Art Pot Magazine. We wanted to use this as an opportunity to introduce ourselves, the...

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